I apologize for not being more constant in my blogging. If you know me, then you know that discipline is not my strong suit (unless we’re talking about eating healthily). Life has been full yes, with guests and travelling between Mexico and Maui, but a disciplined person would have managed, would have written none-the-less. Not me. I’m going to change that though, somehow.
I think though, that what I find most inspiring is that he was a courageous writer who wrote what he wanted and didn’t stop to allow the potential consequences to overwhelm or derail him. He was honest and unforgiving, direct. I think that’s why I love his writing and love him (yes, I do love him because through his word I have come to know him and his heart – anyone who reads his work will know him too). And I am encouraged by his no-holds barred approach to the craft.
In the book Henry Miller on Writing, a compilation of excerpts from his work addressing the craft of writing, we are treated to what he calls his Commandments and Daily Program for writing that he followed somewhat religiously in order to be productive. Finally, we also get to see an outline and notes for the various projects he was working on at the time (a Major Program presumably related to his WIP; a Minor Program that appears to contain smaller select writing projects, articles and the like; a Painting Program because he was an avid artist and also liked to sketch out themes and ideas related to his WIPs; and an Agenda that contains a list of things “to do” including a reading list, visits to specific art shows and day to day stuff like “Varnish water colors or use banana oil and get framed for A.”
It is the Commandments and Daily Program that bear rich fruit for this would-be writer and I hope you’ll find them interesting and applicable to your work in some way too. All italics and notes are HM’s unless otherwise indicated.
2. Start no more new books, add no more new material to “Black Spring.” (his work in progress)
3. Don’t be nervous. Work calmly, joyously, recklessly on whatever is in hand.
4. Work according to Program and not according to mood. Stop at the appointed time!
5. When you can’t create you can work.
6. Cement a little every day, rather than add new fertilizers.
7. Keep human! See people, go places, drink if you feel like it.
8. Don’t be a draught-horse! Work with pleasure only.
9. Discard the Program when you feel like it – but go back to it next day. Concentrate. Narrow down. Exclude.
10. Forget the books you want to write. Think only of the book you are writing.
11. Write first and always. Painting, music, friends, cinema, all these come afterwards.
If groggy, type notes and allocate, as stimulus.*
If in fine fettle, write.
Afternoons:
Work on section in hand, following plan of section scrupulously. No intrusions, no diversions. Write to finish one secrtion at a time, for good and all.
Evenings:
See friends. Read in cafés.
Explore unfamiliar sections – on foot if wet, on bicycle, if dry.
Write, if in mood, but only on Minor Program.
Paint if empty or tired.
Make Notes. Make Charts, Plans. Make correction of MS.
Note: Allow sufficient time during daylight to make an occasional visit to museums or an occasional sketch or an occasional bike ride. Sketch in cafés and trains and streets. Cut the movies! Library for references once a week.