San Francisco has long been known for its ability to draw and inspire writers, from Mark Twain and Jack London to the Beats like Ginsberg and Kerouac, to contemporary authors Isabelle Allende and Dave Eggers. I love this city – it’s beauty, its proximity to the ocean, but mostly because it’s effing vibrant, pregnant with possibility, overflowing with the kind of creative energy that always inspires me to write. Every time I come here it’s a shot in the arm with a creative juice potent enough to rival Red Bull. This past weekend was no exception.
It’s only natural that “The Literary City” should give birth to Litquake’s Litcrawl, the literary equivalent bastard spawn of Woodstock and a pub crawl held annually in the city’s Mission district. It’s 82 sessions crammed into three hours in venues as diverse as laundry mats, hair salons, galleries, restaurants, co-op work spaces, cafes, dark alleyways, and bars. It’s anything and everything that you can dream up related to writing.
My buddy and fellow writer Scot Bolsinger and his long time friend Paul, joined me this past Saturday night to check it out. We met at the Mission Laundromat where an older Latina woman struggled to maintain dominion over the counter where she folded clothes while a crowd amassed and women in pretty dresses read poetry, Twitter-based flash fiction, and non-fiction short stories as part of “Dirty Laundry: Loads of Prose presents Sex, Lies, and Lost Socks.” We headed next to a salon where a large crowd had gathered to witness a literary relay race sponsored by the Castro’s Literary Cooperative. What is a literary relay race? I cannot say for sure, but it appeared to involve the cooperative creation of an original story written by ten writers solely for and during the hour-long session. The vibe in Fellow Barber, where the event was held, was upbeat and filled with the buzz of excited chatter. The authors, each wearing a big number taped to the front of their shirts, had gathered at the center of the salon where they slapped one another on the back and bore faces filled with the kind of calm that comes after the storm of a live performance.
We checked in to hear kids reading their stories at 826 Valencia, Dave Egger’s non-profit organization dedicated to helping children and young adults develop writing skills and teachers inspire their students to write. At The Chapel we discovered a contest was about to begin. We high-tailed it outta there fast lest the other, far more qualified and willing participants discover we were literary trivia posers and beat us to death with their notebooks and pens. On our way out we were intrigued by this sign and stopped to check it out.
Turns out the sign advertised the Hook-Up Truck, a “modern dating solution for safe sexual adventuring” that can be dispatched immediately to any location in the city. Private, secure, and temperature controlled, rental of the room includes complimentary birth control and STD preventatives and optional use of the installed camera. Seeing as Scot is a happily married man and Paul’s a gay pastor, our discovery of the Hook-Up Truck signaled it was time for this lady to head on home. Scot and I had to be up early the next morning.
5AM Sunday morning came too soon. By the time I got my shit together and drove to the Embarcadero (getting lost along the way) it was almost 6:30 and the sky was growing bright with the impending dawn. Scot and a production crew of five were gathered on the roof of Scot’s apartment building when I arrived, Scot lit up like a billboard, balanced atop a bar stool with the Bay Bridge for a backdrop. He smiled with relief when I appeared. Focused and with his back to me, Dave Moutray of Crux Jinx Productions directed one of the crew to repoint the lights. I might have felt a wave of nervousness flood through my gut, but I was too damned tired.
Bruno, the sound man, wired me up, instructing me to run the mic wire he connected to my scarf down through my sweater, same as the actors playing anchormen and politicians I’d seen on TV. I took a seat and watched as they shot. Soon the sun rose, prompting the parrots of Telegraph Hill to leave their overnight perches to fly in wide circles chattering and generally making a lot of noise along the way. The parrots overwhelmed the sound every time they flew nearby slowing progress. I noticed Dave getting antsy and before long he announced the sun was too high. The crew relocated to the shaded deck off Scot’s apartment and I continued to wait my turn in the adjacent living room.
I drank a couple of lattes, read a few emails in an attempt to distract myself from thinking about what was to come, and then it was my turn.
Dave turned the bright lights, two cameras, and his full attention on me where I sat on the soft black leather couch willing it to swallow me. Tired or not, I felt my head begin to buzz, my stomach clamp down on itself, and my blood pressure rise. In an attempt to channel that awful feeling, I rung my hands until my fingers hurt. I wondered if maybe I shouldn’t have skipped one or both of the lattes.
As he had done with Scot before me, Dave began, “So Dawn, why don’t we start with you telling me, what is Effin Artist?”
I did my best to answer the “what” and “why” of Effin Artist so Dave and crew could pull together the necessary sound bites to create a three minute video that will reflect the vision that Scot first shared with me last June. But in describing what is now our shared vision, the challenge we are faced with is that the what of Effin Artist is still a moving target. It’s like trying to determine the sex of a one-month fetus – it’s just too early – the naughty bits have yet to emerge. And we’re a little like expectant parents, reticent to share too much before things have developed sufficiently and the idea demonstrates clearly it’s got ten fingers and ten toes.
I’ve never felt like such a complete and utter amateur. Trying to come up with the right words was intense and the sense that “this really matters so I have to get it right” threatened to overwhelm me. By the time we broke for lunch I felt weak and a little nauseous.
For the last shot, Dave sat Scot and I tight up next to one another on that same mushy couch and prompted us to deliver the our call to action – what people will need to do to help make Effin Artist a reality. Sitting on that couch alone under the bright lights was hot enough, now there was a big burly Italian American sitting and sweating alongside me. I felt my pits and the back of my legs getting damp with sweat and hoped that my deodorant was working.
“Sit up straight,” Dave reminded us every time the couch sucked us back down to slouching.
I was so tired I couldn’t get my lines right. I’d managed to pull off the “why” without too many takes, but this was demanding more from me. Finally I nailed it and sank back into the couch in relief.
Then Bruno the Sound Man, so quiet I’d almost forgotten he was there, spoke up, “Someone was tapping.”
Everyone followed his gaze, which rose from his sound monitor and landed on me, “I think you were tapping the couch or your leg with your hand.”
I felt beads of sweat break out on my forehead as my blood pressure rose to make my cheeks flush and my ears burn. I did not want to have to try to get those same words out again. I think I might have yelled at myself. I felt like an idiot. The crew had been shooting for over eight hours and my nervous tapping meant they had to keep working. Nevertheless their mood was surprisingly upbeat. They joked and encouraged, cajoled and did everything in their power to extract the right words with the right tone and feeling of purpose from our mouths.
I felt a little better when Scot blew his part on our next try.
Take Seven was the charm. It wasn’t perfect, but it was pretty effing good. Good enough for horseshoes, hand grenades, and a couple of writers doing their effing best to get their message across. I can’t wait to share the results, the what and the why of Effin Artist and my exciting role within it.